Artist's commentary
ć¹ćć·ć«ē¾č±”
ććć¼ććć”ćć£ćØē¾ē·ććŖćć§čŖåčŖčŗ«ć®ę»ē„ććå§ćć¦ćć®ćā¦ććåę¬ćććććććć ćŖā¦ē¢ŗčŖć«ćØęć£ć¦ćŖā¦ćććććŖććŖćć³ć¬ćÆā¦ę„ćććććŖā¦ćććµć¼ćć£ććć ā¦ćć ā¦ćććØć¤ć©ćå®®č¤ćļ¼ć©ćććććØć ć³ć¬ćÆćļ¼ļ¼ććē§ć ć£ć¦ ćµććµć¼ćć£ć«ćććŖā¦ćććŖćććć¾ććäŗććććØē”ćććć¾ļ¼ļ¼ććå®®č¤ććććććÆę²»ēć®ēŗćŖćć§ćććć£ļ¼ćććŖć¼ććććč³ä½³ć”ćć ćććććŖ大čć«ā¦///ććććŖć¼ććā¦ćć»ć”ć»ćć»ćć»ćā¦ļ¼ļ¼ļ¼ļ¼ććć·ć£ć¼ćŖć¼ćććć«ććć¼ćčŖåć®ćÆć”ćććØčŖåć§ā¦ććć£ććć«ććć¼ććć«ććÆćÆćÆļ¼ļ¼ćććć«ćÆćć«ć³ćå®®č¤ć®ā¦ēā¦ę²»ēā¦ļ¼ļ¼ļ¼å®®č¤ć®ā¦å®®č¤ć«ććā¦ē§ć®ēŗć®ā¦ļ¾ļ¾ļ¾ļ½ÆćććØć¼ćŖć«ććļ¼ććć„ć«ć¼ććēŗä½ć ļ¼ćććÆā¦ć”ćć£ć«ć«ćććć®åŗēŖļ¼ļ¼ćććčæ½čØććæć°ććććććććØć«(ē¬)ććććØććććć¾ćļ¼å®®č¤ćććÆęµē³ć®ęć¤ćć§ćććļ¼ćććŖć¼ćć®CVā¦ććććŖęå³ć§ć·ććć¾ććļ¼ćę§ćććććć¼ć«ć ćććØćčØććć§ććććā¦(ē¬)ććčæ½ć čØć2010/10/23ć«ć¼ćć¼ć©ć³ćć³ć°59ä½ććć ćć¾ććļ¼ćć¤ćććććØććććć¾ćļ¼ļ¼ćććć¹ćć·ć«ć®ćććć§ććļ¼ćæććŖćććććć¦ććā¦ććčæ½ć ć čØć2010/10/24ć«ć¼ćć¼ć©ć³ćć³ć°ļ¼ä½ććć ćć¾ććļ¼ć¾ććć®äøę”ā¦ććććØććććć¾ććļ¼ļ¼ćć¬ććć·ć«ć·ć«ļ¼ļ¼ļ¼ććčæ½ć ć ć čØć2010/10/28ćå°åć©ć³ćć³ć°37ä½ććć ćć¾ććļ¼ććććØććććć¾ćļ¼ć¹ćć·ć«ćććććććć»ć»ć»ć·ć«ć·ć«ć·ć«ć·ć«ļ¼ļ¼